OpenEXR (float): A professional-grade image storage format of the motion picture industry.JPEG 2000 12-bit: Increase the bit-depth of your JPEG file.JPEG 8-bit: The standard bit depth for JPG files.
To import the presets, see here - they'll live in /Users/yourname/Library/Preferences/Google/Color\ Efex\ Pro\ 4/ImportedPresets folder on a mac. Hierarchy of effects' stack can also be changed and thus plenty more variations are possible. Most if not all are meant to be used together with U-points, otherwise pretty useless for instance I recurred a lot to the glow effect, but the reality was that more often than not with just u-points to very specific areas, as I mentioned before it's silly but there's no way to save those u-points. You've got to understand that many of them were developed working on some specific look/batch/context/experience, plenty of times directly with unrefined (no time to cut baby's nails man?!!) base image, sometimes darker, sometimes brighter, more constrasty, more bland, etc. only luma and chroma tweaks without masks), convert Davinci's base trim_lut0.dpx to png or tif, apply your recipe and then create an timeline with the file and extract the grade's LUT in Resolve =)įinally, attached are 41 presets - the ones managed to find - I created on CE long time ago plus a couple charts for testing.
If there is something you'd like to apply to a video, you can save a recipe (as long as there are no vignetes, sharpening, etc. I found to be useful to mark the favourite effects (yellow star) so they're easier to locate. in Pro-contrast the effect is not activated unless you create either "+" or "-" u-points. Also U-points behave differently depending on filter, e.g. You can export your recipes and backed them up, shared them, etc. basically there's no way of creating a U-point "memory". When you save a recipe, U-points are not saved with it. Whenever I say u-point I mean control points, I'm used that way these points behave a bit like add or/and subtract circular gradients' masks (with selectable ratio/size and transparency/power) but they also are very sensitive to where they're placed, a bit like a spot light (mimicking a 3D behaviour) within the confinement of a 2 space. In Dfine the more manual noise's patches you select the better the results, BIG difference, it's also worth tweaking the advanced controls.
Mind you some things: when you save the image in standalone mode it will overwrite the original, so better make a copy beforehand. Some good introductions by Northlight Images
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